Collection: Peter Smyth's Cases & Skins
With a process that merges his interests in nature, technology, and art, Smyth begins with computer-generated renderings, which then serve as creative stimuli for his paintings. He draws inspiration from the natural world, referencing facets of various ecosystems in his models—from leaves and petals to hyphal tips. The paintings explore the parallels that Smyth sees between the digital process and painting, and that of plant life and its relationship with fungi and the wider ecological landscape. The unseen processes under the earth, or on the computer are catalytic in what is shown above ground or on the canvas.